lohadragon.blogg.se

Hopefully it might reveal glissandi that defy the limitations that I'm seeing so far on the grace related notation front, my examples revealing a case in point. I'll have to look at your recommendation. I think SonatainfSharp above explains why there are the variations of appearance due to font choices (although I'd love to believe in the notion that there's a slash marking that avoids going through the stem that might denote a gliss instead of an acciaccatura grace note, a kind of wishful thinking that eases any reliance on leaning appoggiatura having to be fully written out beyond the triplet level runs as maximums that I've been seeing so far). I feel that the glissando reinforces the change of voice, but maybe that's my opinion. That's certainly coming across when I play, but then again wouldn't that same voice clef-change stroke also occur for when the voice reverts/swaps back to the original clef at the 2nd bar of the 2nd line? I argue that a glissando in tandem with acknowledging how the voices straddle clefs would reduce doubt. POSTSCRIPT: I definitely believe that it may indicate the voice logic due to how the unmarked counter voice is progressing downwards. There's indeed even another (3rd) meaning to what such a sloping straight line might mean: and this is to denote repeating a group of notes (like a ditto mark if you will). It indicates acciaccatura Vs appoggiatura tho strangely not the common gliss. I finally looked at my C20th Chambers dictionary too. connecting-notes-on-different-clefs-mean, whose thread corroborates us both. I assume there's an ambiguity having looked at this source. http:/ / / doc/ v2.19/ Documentation/ notation/ line-styles as per the following link among 1000s of other examples. !album-49-30 - of what I read as being a glissando line type (my understanding being that there's several ways to annotate a choice of linestyle with or without the word "gliss" shown along side, e.g.

You refer to 1 of 2 instances on that page. I’d be much obliged if anyone could give some pointers on these.Īs I'm a novice, can someone please post a sound file link as an example (or more) of how these markings should sound on piano (classical or otherwise)? This serves a two octave separation and so I’m of the mind it’s presumably a tremolo marking rather than a glissando, especially as 2 octaves worth of white and black keys slurs may be a little excessive, or too demanding?, for a mere song or might it deserve it for launching into its marvellous ending. However, almost the exact same marking goes instead through the stem in 'MARTA', the song, to launch into the final word at “gone”.

In ‘AMY’, the song, I assumed that these were octave glissandos (going onto the word “Johnson”, occurring twice, as the marking crosses over the grace note's tail rather than over its stem.